Skip to content
Sound World
  • HOME
  • ABOUT
    • NEWS
    • EVENTS
    • CONTACT
      • Anna Meredith
    • Composers
      • Evelyn Glennie
      • Sadie Harrison
      • John Pickard
      • Geoff Poole
      • Julian Leeks
    • Photos
  • PROJECTS
    • MUSICAL MINDS
    • Reflections & the Coronavirus Fund for Freelance Musicians
      • Coronavirus Fund for Freelance Musicians
    • In The Steps of Apollo
      • Apollo press release
      • In The Steps of Apollo feedback form
      • In The Steps of Apollo Schools’ Tour: feedback form
    • The Composing Club Project
    • YOUNG COMPOSERS’ COMPETITION
    • Beyond The Menagerie…
  • Features
    • SOUND WORLD SOUNDS
      • Sally Beamish
      • Sadie Harrison
      • Dame Evelyn Glennie
      • Howard Skempton
      • Anna Meredith
      • Sir James MacMillan
      • Roxanna Panufnik
      • Nico Muhly
    • Podcasts
    • Interview: Geoff Poole
  • OPPORTUNITIES
  • Audio/Video
  • GOVERNANCE
    • PATRONS
  • SUPPORT SOUND WORLD

Sir James MacMillan

Sir James MacMillan talks about Martyrs – Gaelic Psalm

Photography by Philip Gatward

It’s with great pleasure that we welcome Sir James MacMillan as the second contributor to Sound World Sounds. His beautiful violin & piano piece After The Tryst can be heard at our Beyond The Menagerie concert at St. George’s, Bristol on Sunday 22nd September.

Sir James says,
In the north west of Scotland and particularly on the islands the psalms are sung unaccompanied, in a style known as “lining out” or “precenting the line,” in which the leader of the assembly, or “precentor,” sings a line, after which the rest of the congregation follows, with each member allowed to embellish the melody as they wish, in a free heterophonic style. Gaelic psalm singing is influenced by the ‘piobaireachd’ music of the Highland bagpipes, with frequent and distinctive use of ornamentation and grace notes. Although the congregations think of this as unison singing, one can hear that the individuality of the various voices makes for an intense quasi-canonic texture. ‘Martyrs’ is one of the most powerful examples of this musical and liturgical phenomenon.

Sir James MacMillan is one of today’s most successful composers and is also internationally active as a conductor. His musical language is flooded with influences from his Scottish heritage, Catholic faith, social conscience and close connection with Celtic folk music, blended with influences from Far Eastern, Scandinavian and Eastern European music.

MacMillan’s prolific output includes The Confession of Isobel Gowdie, Veni, Veni, Emmanuel [premièred at the Royal Albert Hall by the Scottish Chamber Orchestra and Sound World patron Evelyn Glennie], and five symphonies. Recent major works include his Percussion Concerto No.2 for Colin Currie and his Stabat Mater.

Highlights of 2019 include a major feature at Edinburgh International Festival as part of his 60th birthday year, including the world premiere of Symphony No.5 ‘Le grand inconnu’.  MacMillan also conducts Cincinnati Symphony, Scottish Chamber, Trondheim Symphony and Brussels Philharmonic Orchestras and his 60th birthday is celebrated widely, featuring his music at the Three Choirs Festival, BBC Proms, Cincinnati May Festival and Lincoln Center’s White Light Festival. 

In October 2014 MacMillan founded his music festival, The Cumnock Tryst, which takes place annually in his native Ayrshire. MacMillan was awarded a CBE in 2004 and a Knighthood in 2015.

Sir James MacMillan is represented by Intermusica.    

The works of James MacMillan are published by Boosey & Hawkes. 

…and finally,
If someone didn’t know the music of James MacMillan, which piece would you like them to listen to?

Sir James’ response,
Seven Last Words from the Cross

Seven Last Words From The Cross: James MacMillan
1 COMMENT
  • A.P.
    at 8:13 pm
    Reply

    Wow! There is nothing like that Hebridean call-and-response singing., and it’s close cousin American Sacred Harp shape-note singing to make one shudder to the tops of the toes. Stunning stuff.

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent Posts

  • A land without music? Episode 11: Technology & AI
  • The John Pickard interview
  • Podcast Ep.9 Music in education Pt.3
  • Podcast: Nico Muhly interview
  • Episode 7 of A land without music? Music in Education Part 2
  • A land without music? Why we made the series.
  • A land without music? Episode 5
  • Episode 4 of A land without music? Music in Eduction Part 1: what children gain from music
  • A land without music? Episode 3
  • New Sound World podcast series – Ep. 1 now available
  • Loss of funding
  • Sound World @ the Crypt III
  • Sound World @ the Crypt II
  • Sound World Residency
  • Sound World @ the Fringe
  • New Sound World band
  • John Pickard – 30 years of music.
  • Coming soon: the Sound World Music Club
  • Composing Workshops
  • Sally Beamish: Sound World Sounds
  • SoundWorld auditions
  • Hinrichsen Foundation funding
  • Funding news from VWF
  • Applications open for spring workshop series
  • Sadie Harrison: Pasture and Storm

Recent Comments

  • admin. on Reflections: release confirmed
  • Michael Bryant on Reflections: release confirmed
  • admin. on Reflections: release confirmed
  • Nick Wilde on Reflections: release confirmed
  • Steven Peters on Audio/Video

Archives

  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • May 2024
  • February 2024
  • December 2023
  • September 2023
  • July 2023
  • May 2023
  • April 2023
  • March 2023
  • February 2023
  • December 2022
  • November 2022
  • October 2022
  • August 2022
  • January 2022
  • December 2021
  • November 2021
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • May 2019
  • March 2019
  • December 2018
  • November 2018
  • August 2018
  • July 2018
  • May 2018
  • April 2018
© Sound World 2023
Theme by Colorlib Powered by WordPress